![]() ![]() Often, the guitarists would play in tandem, and sometimes as the sole guitarist, depending upon the arrangement. ![]() ![]() Vic was one of a handful of first-call guitarists in London in the late ‘50s, ‘60s and ‘70s - an elite set including Big Jim Sullivan and Little Jimmy Page. This generally does not reflect upon our chart-topping heroes’ proficiency as musicians or performers, but only as recording artists. Sometimes an entire band was replaced on record, and sometimes only certain musicians. Hence, producers often called upon the studio musicians. With only some exceptions, young performing bands were not generally able to churn out up to five songs, often previously unheard, in this three-hour time span. Besides reasons of economy and efficiency, this also allowed session musicians to travel from studio to studio to studio, with time to set up their gear, be properly miked, break down their equipment and travel to the next session. VICK FLICK PLUSFor that reason, plus the fact that, especially in England, recording sessions were booked in three-hour segments (especially at the famous EMI Studios), generally from 10 a.m.-1 p.m., 2:30-5:30 p.m. But performing well in a live situation does not necessarily make for efficient recording artists. In the ‘50s and especially the ‘60s, when bands came to dominate the youth market, the ones who came to fame did so because they had the look and the sound. But why did famous groups need to be augmented, or even replaced? It is easy to see why a vocal group, or a single vocalist, required a band. This story is from the horse’s mouth and not second-hand opinions from speculators who were not there when these incredible events and recordings actually happened.Īs recording studios and record companies began to dominate the entertainment industry, songs had to be recorded quickly, efficiently, perfectly - and with feeling. You’re holding in your hands the autobiography of Vic Flick, one of the greatest studio musicians of a generation, if not of all time. VICK FLICK FULL"Vic's book is an amazing read, full of his entertaining senseof humor and a reservoir of miscellaneous facts and tales of the studios andthe musicians who made London such a fabulous place to be in the '60s. On October 5, 2012, Vic Flick was honored at the Academy of MotionPictures Arts and Sciences for "The Music of Bond: The First 50Years." In 2005, he provided his guitar talents to the soundtrack of the FromRussia With Love video game. He played the 12-string guitar part on Peter and Gordon's 1964# 1 record, "A World Without Love." He has worked with many notable artists, including Herman's Hermits,Nancy Sinatra, Engelbert Humperdinck, Tom Jones, Cliff Richard, Eric Clapton,and Jimmy Page. He also contributed to the soundtrack of The Beatles musical, A HardDay's Night, playing his Olympic white 1961 Fender Stratocaster on"Ringo's Theme (This Boy)" instrumental. No(1962), he played lead guitarist on the "James Bond Theme." He continuedto contribute to the James Bond soundtracks from the 1960s through the late1980s. When Hollywood beckoned him to work on soundtrack for Dr. VICK FLICK TVIn the late 1950s, Flick joined The John Barry Seven, and his firstcomposition for the group was "Zapata." With them, he played the guitar rifffor the theme of the popular TV show, Juke Box Jury, and appeared onevery episode of BBC TV's Drumbeat. He knew the music business fromthe inside, including the good and the bad business practices, the money, theagents, and the managers.įrom The Beatles to Nancy Sinatra, from Tom Jones to DustySpringfield, they're all within the pages of Vic Flick's autobiography. His guitar sound on the "James Bond Theme" stirredthe hearts and imaginations of a generation. VICK FLICK SERIESVic Flick's connection with the films in theJames Bond series is legend. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |